In the 1660s, thief takers solved the cases that were beneath the dignity of the typical London watchmen. The poorer sort of people, who had experienced a crime or theft, would come to men like the title character in this story for justice. He would attempt to track down the perpetrator by finding the property that they took and fenced.
Usually, the thief taker could either get the property back for his client or turn the thief in to the higher authorities. But, the punishments back then were so barbaric- chopping off a hand, splitting noses- that the thief taker would usually just let the criminal go with a warning to not steal again or advise him to find a different clientele.
Charlie Tuesday is a thief taker in London. One day, a beautiful young woman comes to him for help in solving her sister’s murder. Normally, he doesn’t work on any cases larger than theft but the money that is offered is more than he can refuse.
From the strange mutilation of the body, he determines that there’s more to this crime than meets the eye. As the plague descends on London, he and Anna-Maria race to stop the murderer from striking again and, perhaps, even threatening the throne of England itself.
The Thief Taker‘s scenery is lush. The customs, clothing, and food from 1665 are so different from what we have now. The reader is whisked away to a world that is the same in some ways (human behavior and emotions) and so different in other ways (social structures and occupations). I didn’t even know what a thief taker was until I read this book.
The story is an intricate mystery with the murders, possible witchcraft, and treason. I didn’t see the ending coming at all. It could be that I don’t read that many mysteries, but I thought that it was really well done.
Another fascinating piece to this story are the plague victims. The horrific conditions that the author describes, like bodies rotting in the streets and the Thames becoming clogged with corpses around London Bridge, actually took place.
Because of these icky details, The Thief Taker occasionally veers towards the horror genre but never really crosses that line. I kept picturing the rotting plague victims as zombies. In some ways, they’re similar. Contact with a plague victim could bring infection. Sometimes, the main character would come across a body that would appear dead, but wasn’t dead. At one point in the story, a character describes the plague victims who are wandering the streets in search of mercy as the “walking dead.” It was very creepy.
Also, the societal breakdown that accompanied the plague was so quick. Every moment the characters were in the London streets was filled with tension. The reader didn’t know if a plague victim was going to pop out of a quarantined house or if a thug was going to try to commit a robbery in a dark alley.
Readers who like the historical fiction of Philippa Gregory, Judith Merkle Riley, and Sarah Dunant may enjoy this.
I received a free copy of this book through Goodreads First Reads program.
Thanks for reading!